By Habeeb Ibrahim
Olamide is one of the most successful rap acts in Nigeria. No doubt, he also qualifies as a pop star who practically falls under the new Afrobeats umbrella, but on critical study, Olamide is simply a closet Fuji act.
From his earliest releases, Olamide’s music has been heavily influenced by Fuji rhythms and cadences. His ability to seamlessly blend hip-hop with Fuji music has set him apart in an industry often dominated by singular styles. Beyond collaborations with prominent Fuji artists, his own discography reflects a deep-rooted connection to the genre.
In 2013, Olamide paid homage to King Wasiu Ayinde Marshal (K1 de Ultimate) by sampling his music on “Anifowoshe,” a track from the Baddest Guy Ever Liveth album. The song chronicled Olamide’s rise to fame while capturing the essence of Fuji storytelling.
His collaborations with Fuji artists are equally noteworthy. In 2014, he teamed up with Sule Alao Malaika on “Bosenjo” and Wasiu Alabi Pasuma on “Oganla.” He reunited with Pasuma in 2015 for “Action,” further cementing his versatility in merging hip-hop and Fuji elements. In 2017, Olamide appeared on Abass Akande Obesere’s hit song “Ebelesuwa,” delivering a powerful fusion of rap and traditional Fuji sounds.
While “Orobo” makes no disguise and Olamide comes out as a full Fuji musician, tracks like “Falila Ketan,” “Panumo,” “Eleda Mi,” and “Esu Pofo” incorporate Fuji rhythms and vocal stylings in subtle yet undeniable ways. He also dropped a freestyle titled “Fuji Garbage” and collaborated with Dammy Krane on “Fuji House” in 2012, showcasing his dedication to the genre.
These works highlight Fuji music’s vital role in shaping Olamide’s sound and establishing him as one of Nigeria’s most versatile artists over the past 14 years.
